1960s–1970s – Brutalist Studio – Table Lamp

Origin:

A refined example of European Brutalist decorative lighting from the late 1960s to early 1970s, this table lamp base pairs a solid block of rich reddish-brown hardwood — likely mahogany or sapele — with hand-cut circular discs of raw grey-green slate or schist, each anchored to the wood face with a small brass stud pin. A slender brass rod stem rises to a bayonet lamp holder, the standard fitting of British and Northern European market production of this era. The intentionally fractured, unfinished stone edges are a deliberate design statement rather than damage, wholly characteristic of the Brutalist idiom that flourished in Belgian, Scandinavian, and British studio workshops of this period. Unmarked; in the style of Belgian or Northern European Brutalist studio lamp production of the 1960s–70s.

Condition:

• Excellent vintage condition overall — the hardwood block is clean with no cracks, splits, or significant scratches
• Stone discs are intact; raw fractured edges are original and intentional, not damage
• Brass stem and bayonet holder show mild age patina consistent with period use — no corrosion
• Rewiring recommended before use (standard advisory for vintage European lighting); currently fitted with a bayonet holder
• Black drum shade shown in photos is a sympathetic later pairing and is included

Details:

• Materials: Hardwood (mahogany or sapele), slate/schist stone discs, solid brass stem and hardware
• Fitting: Bayonet (B22) lamp holder — standard European/UK fitting
• Stone discs appear on at least two faces of the block base, each with a central brass pin
• Includes black cylindrical drum shade as shown
• Unmarked — no maker's label or stamp visible

Perfect for:

• Brutalist, Wabi-Sabi, or organic modern interiors
• A statement bedside or side table lamp in a dark, moody room scheme
• Collectors of 1960s–70s European studio lighting and decorative arts
• Pairing with raw concrete, linen, leather, or natural stone interior elements

Design Notes:

The tension between the smoothly finished, warm-toned hardwood and the deliberately rough, fractured stone is the conceptual heart of this piece — a dialogue between the refined and the raw that defines the best Brutalist decorative work of this era. The brass hardware acts as a quiet mediator between the two, tying the composition together with warmth. A genuinely characterful and collectible object that transcends trend.